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8 January 1836 – 25 June 1912. Most renowned painters.

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Maino, Juan Bautista del
View of the City of Zaragoza

ID: 28304

Maino, Juan Bautista del View of the City of Zaragoza
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Maino, Juan Bautista del View of the City of Zaragoza


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Maino, Juan Bautista del

Spanish Baroque Era Painter, 1578-1649  Related Paintings of Maino, Juan Bautista del :. | The Recovery of Bahia in Brazil | Adoration of the Magi | Recovery of Bahia de Todos los Santos | The Adoration of the Magi | The Recovery of Bahia in Brazil |
Related Artists:
Maffei, Francesco
Italian Baroque Era Painter, 1605-1660 Italian painter. He probably trained with his father, Giacomo Maffei, before joining the workshop of the Maganza family in Vicenza. His early works, such as the Ecce homo (ex-Dianin priv. col., Padua, see Pallucchini, 1981,), were influenced by the eclectic style, between Veronese and the Bassani, of Alessandro Maganza. The St Nicholas and the Angel (1626; Vicenza, S Nicola da Tolentino), with colours like those of Veronese, yet lighter, suggests Maffei's rapid development of an independent style that is both rugged and moving. His interest in narrative, already evident in scenes from the Life of St Cajetan (Vicenza, S Stefano), was developed in the later Martyrdom of the Franciscan Minors at Nagasaki (Schio, S Francesco), which is datable to about 1630. Here, the contrast between the pale, silvery tones of the background and the darker foreground figures is derived from Tintoretto, but the exaggerated Mannerist treatment of the main figures also recalls the art of such French engravers as Jacques Bellange and Pierre Brebiette. At the same time there is also an echo of the extreme stylizations of Giovanni Demio.
Paul Sandby Munn
British watercolour painter, 1773-1845
Juriaen van Streeck
(1632 - 1687) was a Dutch Golden Age painter of still lifes. According to Houbraken, he was good at all sorts of still life subjects, including helmets, books, letters, musical instruments, and skulls or dead animals to indicate the transcience of life. He was a follower of Willem Kalf and influenced Barend van der Meer.Houbraken also wrote an entry for his son Hendrick van Streeck, who became a student of Emanuel de Witte and painted church interiors.






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